disintegration of the persistence of memory

Dalí: the Salvador Dalí museum collection, Bulfinch, Boston.

June Hurley Young, 'The images of Salvador Dali', Tampa Bay Magazine,, Tampa Bay, FL, p.

Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p.

Takahiko Okada, Dalí, Shueisha,, 1986, p.

Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il.

Conroy Maddox, Dalí, Newness Books, Feltham, 1983, p.

Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p.Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il.Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p.'Dalí le pitre ne vaut pas le peintre', Télérama,, Paris, n.Homage to Dalí, Chartwell Books, Secaucus, New Jersey,, p.Young, 'Salvador Dali, a divina paranóia', Arte Hoje,, Rio de Janeiro, p. Salvador Dalí, selected works, Filipacchi, New York, 1979, p.Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p.Luis Romero, Todo Dalí en un rostro, Blume, Barcelona, Madrid, 1975, p.William Gaunt, Los Surrealistas, Labor, Barcelona, 1974, p.Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il.a panorama of his art, The Salvador Dali Museum, Cleveland, 1974, p. Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dali Museum, Cleveland, 1973, cover, p.Salvador Dalí, Les Dîners de Gala, Felicie, Inc., New York, 1973, p., Countra Costa Times,, Walnut Creek, California, n.Max Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il.Walton, Dali / Miró, Tudor Publishing Company, New York, 1967, il. Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p.

¿Quién es Dalí?', Gaceta Ilustrada,, Madrid, n.

Lola Aguado, 'Los tres maestros españoles de la pintura mundial de hoy.

Salvador Dalí', Der Spiegel,, Hamburg, p.

100 aquarelles pour la Divine Comédie de Dante Alighieri par Salvador Dalí, Joseph Foret, Les Heures Claires, Paris, 1960, p.

Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich, 1958, p.

Dalí, Les Éditions du Chêne, Paris, 1957, il.

2009, Melbourne, National Gallery of Victoria, Salvador Dalí : liquid desire, -, no reference.

Petersburg, Fl., Salvador Dalí Museum, Dalí and the Spanish Baroque, -, cat.

2006, Tokio, Ueno Royal Museum, Salvador Dali centennial retrospective, -, cat.

2004, Venezia, Palazzo Grassi, Dalí, -, cat.

1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, -, cat.1954, New York City, Carstairs Gallery, Dali 1954, December 1954 - January 1955, cat.1952, New York, Carstairs Gallery, Dalí: The First Mystico-Nuclear paintings and the Assumpta Corpuscularia Lapislazulina, December 1952 - January 1953, cat.We have opted to correct this and use 'disintegration' in the official title. Dalí coined the word 'distintegration' for the new title. Although it was listed as 'Persistance de la mémoire corpusculaire' in the catalogue of the exhibition at the Carstairs Gallery in New York in 1952-1953, this painting was first shown two years later, in the same gallery, with the title 'The Chromosome of a Highly-colored Fish's Eye Starting the Harmonious Distintegration (sic) of the Persistence of Memory'.

Disintegration of the persistence of memory